Radioeins happysad amy winehouse12/27/2022 ![]() ![]() The assignment took her away from Tony Walton, a British stage designer she had married during My Fair Lady. And while Julie later (and unfairly) lost those movie roles, her stage performances so impressed Walt Disney that he signed her in 1963 for her first film, Mary Poppins. Triumph there at age 19 led to My Fair Lady and Camelot. ![]() When the chance came to do The Boy Friend on Broadway in 1954, she took it -with reservations. "I loathed the singing and resented my stepfather," she says. Eventually Julie joined the act, and by age 12 she was a soloist, winning most of the family bread with her freakish, four-octave soprano range. Andrews took to Britain's music hall circuit with Julie's singer stepfather. Julie has been a mother figure nearly all her life-first as older sister to three brothers while Mrs. "It's been wonderful to watch two pale, sad-eyed creatures blossom." "We wanted a child and weren't being successful," Julie says. While their children from previous marriages are grown or nearly so, their rented beach house in Malibu is alive with the sounds of two Vietnamese orphans they've adopted-Amy Leigh, 3, and Joanna Lynne, 2. Julie says she is happy to devote herself less to Hollywood and more to home. Only Blake's solo Pink Panther films have been unqualified hits. Their two TV specials got good reviews but so-so ratings. Two conjugal films-Darling Lili (1970) and The Tamarind Seed (1974) were disappointments. Their courtship and 1969 marriage have done little for their careers. Poppins tartly sent him a purple bouquet, and the romance had begun. But they were only nodding acquaintances until Julie heard one day that Blake had described her as "so sweet she probably has violets between her legs." Ms. ![]() It was also the wisest." Besides analysis, both of them were also dissolving first marriages. "It is the only decision," Julie says, "I have ever made, totally, 100 percent in my life. Their crises were similar and they tried similar remedies: five-day-a-week analysis (seven years for him, five for her). Julie and Blake were both anguishing in Hollywood in the mid-'60s. It's terrible when all those lovely things are happening to you and you aren't enjoying them." It was psychoanalysis or being locked up." Julie, now 41, says her private agonies also erupted as her career peaked: "I was behaving in a way that scared the hell out of me. If doubt remains that early success exacts a high psychic toll, consider Julie Andrews and Blake Edwards-she the pristine princess of the box office while still in her 20s, he a successful screenwriter at 24 whose directing credits include Days of Wine and Roses and Breakfast at Tiffany's.īlake, now 54, recalls what should have been his prime as "a nightmare. "There, there," she coos, "Mary Poppins will make you feel better." They laugh gently, perhaps at themselves, perhaps at the knowledge that they have finally learned to cope. Then his wife, Julie Andrews, comes over. ![]() Enter producer-director Blake Edwards, fuming, after a telephone call to a difficult star. Soothing Blake Edwards and Raising Babies - Result in a Thoroughly Joyous JulieĪ Malibu living room. She just says, 'Bullshit, Blackie, all you have to do is make a hit.' " "Julie has great compassion for people in trouble," he says, "but she won't let me cop out when I'm complaining about Hollywood. ![]()
0 Comments
Leave a Reply.AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |